Agnolo Bronzino

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The Panciatichi Holy Family or Panciatichi Madonna and Child is a 1541 oil on panel painting by the Italian Mannerist painter Bronzino, signed on a stone in the bottom left corner. It is now in the Uffizi in Florence, where it was first recorded in the Tribuna in 1704. It remained there until 2010, when it was moved as part of the "New Uffizi" project.

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Venus, Cupid, Folly and Time (also called An Allegory of Venus and Cupid and A Triumph of Venus) is an allegorical painting of about 1545 by the Florentine painter Agnolo Bronzino. It is now in the National Gallery, London. Scholars do not know for certain what the painting depicts.

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The Portrait of Cosimo I de' Medici is a painting by the Italian artist Agnolo di Cosimo, known as Bronzino, finished in 1545. In his position as court painter for the Medici, Bronzino was author of several portraits of Grand Duke Cosimo I de' Medici. In this portrait, Cosimo is represented in his younger years, commanding and proud; and to quote Giorgio Vasari, "clad with white armor and a hand over the helmet".

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The Portrait of Bartolomeo Panciatichi is a tempera on panel painting by the Italian artist Agnolo di Cosimo, known as Bronzino, finished around 1540. It is housed in the Uffizi Gallery of Florence, Italy since 1704. Bartolomeo Panciatichi was a Florentine humanist and politician.

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Portrait of a Young Man as Saint Sebastian is an oil painting on panel by the Italian artist Agnolo di Cosimo, known as Bronzino, from c. It is held in the Museo Thyssen-Bornemisza, in Madrid. It entered that museum's collection in 1984 from a private collection in Rieti.

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The painting, Portrait of Eleanor of Toledo and Her Son Giovanni, was painted c. 1545 by Agnolo di Cosimo, known as Bronzino. The painting is of Eleonora di Toledo, the Duchess of Florence, and her son Giovanni.

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The Portrait of Bia de' Medici is a tempera on wood painting by the Italian Mannerist painter Agnolo Bronzino, dating to around 1542 and now in the Uffizi in Florence. For a long time it was displayed in the Tribuna at the heart of the museum, but since 2012 it has been moved to the "sale rosse" of the Nuovi Uffizi. A second portrait, by Pontormo, has also been argued to show Bia de' Medici, but this identification is disputed.