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Bernardo CavallinoPublic domain

The Triumph of Galatea

Bernardo Cavallino

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Bernardo Cavallino

Italian · 1616–1656

Bernardo Cavallino was an Italian painter and draughtsman. He is regarded as one of the most original painters active in Naples during the first half of the 17th century.

Independent artist guide by Momentable. Biography from Wikipedia; artworks credited to the museums that hold them.

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The work

A selection of 2 works, free to stream.

The Triumph of Galatea

Bernardo Cavallino

National Gallery of Art

Adoration of the Shepherds

Bernardo Cavallino

The Cleveland Museum of Art

Works worth knowing

What Bernardo Cavallino made, and why each one is worth looking at.

The Triumph of Galatea

Bernardo Cavallino

National Gallery of Art

Bernardo Cavallino (25 August 1616 to 1656) was an Italian painter and draughtsman. He is regarded as one of the most original painters active in Naples during the first half of the 17th century. It is said that he trained with Massimo Stanzione, befriended the painter Andrea Vaccaro, and was influenced by Anthony van Dyck, but his paintings could also be described as equidistant from Caravaggio and Bartolomé Esteban Murillo in styles; tenebrism enveloped with a theatrical sweetness, a posed ecstasy and feeling characteristic of the high Roman baroque statuary.

Adoration of the Shepherds

Bernardo Cavallino

The Cleveland Museum of Art

Bernardo Cavallino (25 August 1616 to 1656) was an Italian painter and draughtsman. He is regarded as one of the most original painters active in Naples during the first half of the 17th century. It is said that he trained with Massimo Stanzione, befriended the painter Andrea Vaccaro, and was influenced by Anthony van Dyck, but his paintings could also be described as equidistant from Caravaggio and Bartolomé Esteban Murillo in styles; tenebrism enveloped with a theatrical sweetness, a posed ecstasy and feeling characteristic of the high Roman baroque statuary.

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Independent guide by Momentable · biography from Wikipedia · artworks are in the public domain and credited to the museum that holds them