Duccio di Buoninsegna · 1285
Italian · 1255–1319
Duccio di Buoninsegna, commonly known as just Duccio, was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Duccio is considered one of the greatest Italian painters of the Middle Ages, and is credited with creating the painting styles of Trecento Gothic style and the Sienese school.
Independent artist guide by Momentable. Biography from Wikipedia; artworks credited to the museums that hold them.
LIVENow streaming · Rucellai MadonnaA selection of 3 works, free to stream.
Rucellai Madonna
Duccio di Buoninsegna · 1285
Uffizi Gallery
Christ and the Samaritan Woman
Duccio di Buoninsegna · 1310
Thyssen-Bornemisza Museum
The Calling of the Apostles Peter and Andrew
Duccio di Buoninsegna
National Gallery of Art
2 of Duccio di Buoninsegna's works, and what makes each one worth a look.
Rucellai Madonna
Duccio di Buoninsegna · 1285
Uffizi Gallery
The Rucellai Madonna is a panel painting by the Sienese painter Duccio di Buoninsegna showing the Virgin and Child enthroned with Angels. The contract for the work is dated 1285. The painting was probably completed in 1286, and was commissioned by the Laudesi confraternity of Florence to decorate the chapel they maintained in the Dominican church of Santa Maria Novella.
The Calling of the Apostles Peter and Andrew
Duccio di Buoninsegna
National Gallery of Art
The Maestà, or Maestà of Duccio, is an altarpiece composed of many separate paintings commissioned from Duccio di Buoninsegna by the city of Siena in Tuscany in 1308 and is his major work. Duccio's Maestà was the first altarpiece to have both a front and back side. The front panels make up a large enthroned Madonna and Child with saints and angels, and a predella of the Childhood of Christ with prophets.
From the record of their own practice.
Duccio's known works are on wood panel, painted in egg tempera and embellished with gold leaf. Differently from his contemporaries and artists before him, Duccio was a master of tempera and managed to conquer the medium with delicacy and precision. There is no clear evidence that Duccio painted frescoes. Duccio's style was similar to Byzantine art in some ways, with its gold backgrounds and familiar religious scenes; however, it was also different and more experimental. Duccio began to break down the sharp lines of Byzantine art, and soften the figures.
The museums that hold it, and their visitor guides.
Artists held by the same museums.

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View on MomentableIndependent guide by Momentable · biography from Wikipedia · artworks are in the public domain and credited to the museum that holds them