Giorgione

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Laura, sometimes known as Portrait of a Young Bride, is a 1506 oil on canvas painting by the Italian Renaissance master Giorgione. It is the only known painting of the author that was signed and dated by him. This work marked Giorgione's abandonment of Giovanni Bellini's models to embrace a Leonardesque style.

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Judith is a painting by the Italian painter Giorgione, executed around 1504. It is one of the few authentic works by Giorgione owned by the Russian Hermitage Museum. The painting, originally attributed to Raphael, came to the Hermitage in 1772 from Paris.

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The Judgment of Solomon is a painting by the Italian Renaissance master Giorgione of the Judgement of Solomon created c. It is housed in the Galleria degli Uffizi of Florence. The work is dimensionally and thematically similar to its Pendant painting Test of Fire of Moses, also in the Uffizi.

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The Test of Fire of Moses is a painting by the Italian Renaissance master Giorgione created c. It is housed in the Galleria degli Uffizi of Florence. The work is dimensionally and thematically similar to its Pendant painting The Judgement of Solomon, also in the Uffizi, and is dated to the years immediately after Giorgione's moving to Venice.

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The Three Philosophers is an oil painting on canvas attributed to the Italian High Renaissance artist Giorgione. It shows three philosophers, one young, one middle-aged, and one old. The work may have been commissioned by the Venetian noble Taddeo Contarini, a Venetian merchant with an interest in the occult and alchemy.

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The Adoration of the Shepherds, sometimes still known as the Allendale Nativity, after a former owner, is a painting by the Italian Renaissance painter Giorgione, completed in about 1505 to 1510. The attribution is now usual, although not universal; the usual other view is that it is an early Titian. It is certainly a Venetian painting of that period.

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The Sleeping Venus, also known as the Dresden Venus (Venere di Dresda), is a painting traditionally attributed to the Italian Renaissance painter Giorgione, although it has long been widely thought that Titian completed it after Giorgione's death in 1510. The landscape and sky are generally accepted to be mainly by Titian. In the 21st century, much scholarly opinion has shifted further, to see the nude figure of Venus as also painted by Titian, leaving Giorgione's contribution uncertain.