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GiottoPublic domain

Badia Polyptych

Giotto · 1300

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Giotto

Italian · 1267–1337

Proto-RenaissanceGothic art

Giotto di Bondone, known mononymously as Giotto, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic and Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence". Giorgio Vasari described Giotto as making a decisive break from the prevalent Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years".

Independent artist guide by Momentable. Biography from Wikipedia; artworks credited to the museums that hold them.

Badia PolyptychLIVENow streaming · Badia Polyptych
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1267–1337life
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Proto-Renaissancemovement

The work

A selection of 4 works, free to stream.

Badia Polyptych
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Badia Polyptych

Giotto · 1300

Uffizi Gallery

Stefaneschi Triptych
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Stefaneschi Triptych

Giotto · 1320

Vatican Museums

Madonna Enthroned
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Madonna Enthroned

Giotto · 1300

Uffizi Gallery

Madonna and Child

Giotto

National Gallery of Art

Works worth knowing

What Giotto made, and why each one is worth looking at.

Badia Polyptych
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Badia Polyptych

Giotto · 1300

Uffizi Gallery

The Badia Polyptych is a painting by the Italian artist Giotto, painted around 1300 and housed in the Uffizi Gallery of Florence. Earlier sources such as Lorenzo Ghiberti's Commentarii and Giorgio Vasari's Lives agree in mentioning the presence of a polyptych by Giotto at the high altar in the Badia Fiorentina. However, the work was not documented anymore for centuries, and was considered to be lost.

Stefaneschi Triptych
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Stefaneschi Triptych

Giotto · 1320

Vatican Museums

The Stefaneschi Altarpiece is a triptych by the Italian painter Giotto, from c. It was commissioned by Cardinal Giacomo Gaetani Stefaneschi to serve as an altarpiece for one of the altars of Old St. Peter's Basilica in Rome.

Madonna Enthroned
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Madonna Enthroned

Giotto · 1300

Uffizi Gallery

Madonna Enthroned, also known as the Ognissanti Madonna or Madonna Ognissanti, is a painting in tempera on wood panel by the Italian late medieval artist Giotto di Bondone, now in the Uffizi Gallery of Florence, Italy. The painting has the traditional Christian subject, of the Madonna and Child, representing the Virgin Mary and the Christ Child seated on her lap, with saints and angels surrounding them on all sides. This particular representation of the Virgin, enthroned and surrounded by a court-like company, is called a Maestà, a popular representation at the time.

Madonna and Child

Giotto

National Gallery of Art

Madonna Enthroned, also known as the Ognissanti Madonna or Madonna Ognissanti, is a painting in tempera on wood panel by the Italian late medieval artist Giotto di Bondone, now in the Uffizi Gallery of Florence, Italy. The painting has the traditional Christian subject, of the Madonna and Child, representing the Virgin Mary and the Christ Child seated on her lap, with saints and angels surrounding them on all sides. This particular representation of the Virgin, enthroned and surrounded by a court-like company, is called a Maestà, a popular representation at the time.

How Giotto worked

From the record of their own practice.

Giotto's style drew on the solid and classicizing sculpture of Arnolfo di Cambio. Unlike those by Cimabue and Duccio, Giotto's figures are not stylized or elongated and do not follow Byzantine models. They are solidly three-dimensional, have faces and gestures that are based on close observation, and are clothed, not in swirling formalized drapery, but in garments that hang naturally and have form and weight. He also took bold steps in foreshortening and having characters face inwards, with their backs towards the observer, creating the illusion of space. The figures occupy compressed settings with naturalistic elements, often using forced perspective devices so that they resemble stage sets.

Where the work hangs

The museums that hold it, and their visitor guides.

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Independent guide by Momentable · biography from Wikipedia · artworks are in the public domain and credited to the museum that holds them