Pietro Perugino

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The San Francesco al Prato Resurrection is a painting by the Italian Renaissance painter Pietro Perugino, dating to c. It is housed in the Pinacoteca Vaticana, Rome. The work takes its name from the church of San Francesco al Prato of Perugia, where it was originally located.

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Decemviri Altarpiece is a painting by the Italian Renaissance artist Pietro Perugino, executed in 1495 to 1496, and housed in the Pinacoteca Vaticana in Vatican City. The work was commissioned by the Decemviri ("Ten Men") of Perugia for the chapel in the Palazzo dei Priori, and was executed 1495 to 1496. It was originally surmounted by a Pietà (87 × 90 cm), now at the Galleria Nazionale dell'Umbria.

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The Lamentation over the Dead Christ is a painting of the common subject of the Lamentation of Christ by the Italian Renaissance painter Pietro Perugino, executed in 1495 and now in the Galleria Palatina of Palazzo Pitti, Florence, Italy. The painting was commissioned by the Poor Clares of the convent of Santa Chiara in Florence. Highly admired by its contemporaries, the work inspired other paintings such as Fra Bartolomeo's Pietà and Andrea del Sarto's Luco Pietà, both in the same collection.

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The Portrait of Francesco delle Opere is a painting by the Italian Renaissance artist Perugino, dating to 1494 and housed in the Uffizi Gallery, Florence. The first mention of the painting is in the inventory of Cardinal Leopoldo de' Medici's artworks, as a work of "Second Manner Raphael". In the 19th century it was attributed to Perugino and Jacopo Francia, and then again to Perugino by Antonio Ramirez de Montalvo, who discovered an inscription in the rear.

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The Madonna and Child Enthroned with Saints John the Baptist and Sebastian is a painting by the Italian Renaissance artist Pietro Perugino, executed in 1493 and housed in the Uffizi Gallery, Florence. The work was commissioned by Cornelia Salviati, widow of the Venetian merchant Giovanni Martini, and his son Roberto, for the chapel of the convent of San Domenico, Fiesole, which had been perhaps restored by Giuliano da Sangallo a few years before. In 1493 Perugino had married Chiara Fancelli, daughter of the architect Luca Fancelli; the face of the Madonna is a portrait of her.

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Agony in the Garden is a painting by the Italian Renaissance artist Pietro Perugino, executed around 1483 to 1493, and housed in the Uffizi Gallery, Florence. The work was painted for the church of the convent of San Giusto alle mura together with the Pietà and a Crucifixion. Renaissance art biographer Giorgio Vasari saw them in side altars of the church of San Giovanni Battista alla Calza, after the original location had been destroyed during the Siege of Florence in 1529.