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Ecce Homo

Quinten Metsys · 1526

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Quinten Metsys

Duchy of Brabant · 1466–1530

Quentin Matsys was a Flemish painter in the Early Netherlandish tradition. He was born in Leuven. According to tradition, he trained as an ironsmith before becoming a painter. Matsys was active in Antwerp for over 20 years, creating numerous works with religious roots and satirical tendencies. He is regarded as the founder of the Antwerp school of painting, which became the leading school of painting in Flanders in the 16th century.

Independent artist guide by Momentable. Biography from Wikipedia; artworks credited to the museums that hold them.

Ecce HomoLIVENow streaming · Ecce Homo
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1466–1530life
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The work

A selection of 3 works, free to stream.

Ecce Homo
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Ecce Homo

Quinten Metsys · 1526

Doge's Palace

The Moneylender and his Wife
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The Moneylender and his Wife

Quinten Metsys · 1514

Louvre

The Ugly Duchess
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The Ugly Duchess

Quinten Metsys · 1513

National Gallery

Works worth knowing

2 of Quinten Metsys's works, and what makes each one worth a look.

The Moneylender and his Wife
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The Moneylender and his Wife

Quinten Metsys · 1514

Louvre

The Money Changer and His Wife is a 1514 oil-on-panel painting by the Flemish Renaissance artist Quentin Matsys, currently in the Louvre. A man, who is weighing the jewels and pieces of gold on the table in front of him sits next to his wife who is reading a book of devotion with an illustration of the Virgin and Child. The couple is not dressed as members of nobility, but rather as well-to-do burghers of Antwerp, where the painting was made.

The Ugly Duchess
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The Ugly Duchess

Quinten Metsys · 1513

National Gallery

The Ugly Duchess (also known as A Grotesque Old Woman) is a satirical portrait painted by the Flemish artist Quinten Matsys around 1513. The painting is in oil on an oak panel, measuring 62.4 by 45.5 cm. It shows an old woman with wrinkled skin and withered breasts.

How Quinten Metsys worked

From the record of their own practice.

Although the roots of Matsys' training are unknown, his style reflects the artistic qualities of Dirk Bouts, who brought to Leuven the influence of Hans Memling and Rogier Van der Weyden. When Matsys settled at Antwerp at the age of twenty-five, his own style contributed importantly to reviving Flemish art along the lines of Van Eyck and Van der Weyden. Matsys departed from Leuven in 1491 when he became a master in the guild of painters at Antwerp. His most well known satirical works include A Portrait of an Elderly Man (1513), and The Money Changer and His Wife (1514), all of which provide commentary on human feeling and society in general. He also painted religious altarpieces and triptych panels, the most famous of which was built for the Church of Saint Peter in Leuven.

Where the work hangs

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Independent guide by Momentable · biography from Wikipedia · artworks are in the public domain and credited to the museum that holds them